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Understanding how different
lighting affects an image is half the work of creating better photos.
This article aims to give a brief overview of the different types of
light you might encounter as a photographer and how to use them to your
advantage.
Direct light
Looking through the family photo
album the other day, I noticed a recurring theme; photo after photo of
us squinting into the sun looking like ghosts with our flat, white
faces and dark holes where our eyes should have been. This is one of
the most common mistakes people make when taking photos in direct
sunlight. By standing with your back to the sun, you effectively
flatten out the light and therefore your subject.
All of those
interesting lines and textures disappear and you are left with a one
dimensional image. If you are shooting a portrait, you force your
subject to look directly into the sun. This makes it difficult for them
not to squint or contort their face into all sorts of unappealing
shapes. If you are shooting in the middle of the day, when the sun is
high, the shape of their brows can also create dark shadows over their
eyes, effectively removing the most effective feature in a portrait.
This
kind of light does have its advantages, especially early morning and
late afternoon when the sun is low in the sky. The light tends to be
more golden and can cast a warm glow over subjects and create some
amazing colours. It is for this reason that landscape photographers
like to shoot at these times of day. It is also quite flattering for
people as the need to squint is less and late afternoon light has a way
of highlighting a person's eyes.
Diffused light
Diffused
light is non directional light, where the intensity of light is even;
for example, an overcast day. This light is fantastic for portrait
photography as it creates little or no shadow on a person's face. This
is quite flattering to most people. For the same reason, diffused light
is also useful in macro, or close up photography.
The evenness of light
allows you to capture detail in your subject that might otherwise be
lost to overblown highlights or deep shadows if taken in direct
sunlight. There are some instances where this kind of lighting can be
detrimental to a picture. For instance, landscape photography. Taking a
picture of an expansive scene with a flat grey sky and dull colors
through the landscape is just plain unappealing. For these instances
some sunlight is preferable to create some interest in the sky and
contours of the land.
Different lighting conditions are useful
for different situations and different types of photography. The thing
to remember is that we cannot alter the weather, but we can alter our
approach to taking pictures to cooperate with it. Be prepared for all
situations and have a couple of different ideas when you go out. If you
want to take family portraits and find the light too harsh, find a tree
or shaded setting to work in.
Be inventive. Be adaptable. Experiment. Walk around your subjects to get an idea of how the light changes at different angles. No matter the lighting conditions there is always a way to use them to your advantage. You just need to find it.
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